Wednesday, October 17, 2012

New Pond 2012: Another stage

Working on this painting has been interesting.  In many ways it recalls



my earlier water paintings, at least in format.  However, in this one I am incorporating many of the  tools and methods I have been incorporating into my soft pastel and encaustic works- soft pastel and oil sticks are integrated into the imagery along with more traditional tube oil paint.  I often use scrapers and rags to apply the paint.

Wednesday, October 10, 2012

William Zimmer Gallery...

Mira M White on wall
Encaustic by Sue Cretarolo
Here are glimpses of the William Zimmer Gallery in Mendocino, CA where I am happily exhibiting my mixed media/ soft pastel artworks!
My work on wall on left


 
Up the stairs

My work flanking the cental painting




 








Karen Bower watercolors in frames

Sue Cretarolo on wall




Monday, October 8, 2012

Trip to Boston.........

I want to make sure I send a few notes with pictures about my wonderful- however brief- trip to Boston for the exhibition The Future of The Past: Encaustic Art of the 21st Century-- in which I had a piece - Carnival-

The exhibit was superbly hung, with 35 artworks selected from over 500 entries and 5  works by artists who were invited ( Paula Roland, James Meyer- Jasper John's former assistant) Cari Hernandez, Francisco Benitez, Kevin Frank). Three artists who were pioneer encaustic workers were included in the 35: Esher Geller ( now 91) Karl Zerbe, David Aronson.
 I felt honored to be included in this exhibit with so many encaustic " heavy hitters"- without saying more--- here are some pics:

 
Getting Ready

:
Getting REady 2

Getting Ready 3

 
At the reception with Barb and Harriet and Louise

Reception conversation

Cari Hernandez sculpture

T
Barbara Maricle

Diane Kleiss

Esther Geller

Eunice Choi

Eunice Choi

BCA director with Ms Geller and BArb Cone

 
Explanation

Fanne Fernow Diptych

Jacquelyne Mallegni

More peeps




Tuesday, August 28, 2012

Stage 2 New Pond 2012

Interesting thing about going into a new - huge- canvas with a pre-determined idea is how much floundering and internal conflict it precipitates.  I wanted to do a water piece, but when I started working I found that I  spent most of the first 3 sessions getting used to working big again-- after all, most of my recent work has been small ( 8"x8" encaustics ) or , at the most, 22"x30" works on paper.  And here I am, dancing in front of a 6 footer.   Well, I think I am getting my muscles back: Here is stage #2:
Work in process 41"x72"

Thursday, August 9, 2012

Post Mendocino: My Images

I worked on these  encaustic images during my workshop.  Please peruse my website for more information on these pieces